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Impressions Gallery

exhibitions: past

Ever Young

James Barnor

05th Jul - 31st Aug 2013

Impressions Gallery in partnership with Autograph ABP presents a retrospective of James Barnor’s street and studio photographs, spanning Ghana and London from the late 1940s to early 1970s. This major touring exhibition has only previously been shown at Rivington Place, London and the South African National Gallery, Capetown.

James Barnor’s career covers a remarkable period in history, bridging continents and photographic genres to create a transatlantic narrative marked by his passionate interest in people and cultures. Through the medium of portraiture, Barnor’s photographs represent societies in transition: Ghana moving towards its independence and London becoming a cosmopolitan, multicultural metropolis.

The exhibition showcases a range of street and studio photographs – modern and vintage - with elaborate backdrops, fashion portraits in glorious colour, as well as social documentary features, many commissioned for pioneering South African magazine Drum during the ‘swinging 60s’ in London.

In the early 1950s, Barnor’s photographic studio Ever Young in Jamestown, Accra was visited by civil servants and dignitaries, performance artists and newly-weds. During this period, Barnor captured intimate moments of luminaries and key political figures such as Ghana’s first Prime Minister Kwame Nkrumah as he pushed for pan-African unity, and commonwealth boxing champion Roy Ankrah. In 1960s London, Barnor photographed Muhammad Ali training for a fight at Earl’s Court, BBC Africa Service reporter Mike Eghan posing at Piccadilly Circus and a multinational cohort of fashionable Drum cover girls.

A touring exhibition from Autograph ABP curated by Renée Mussai.



The exhibition James Barnor: Ever Young emerged as a direct result of archival research made possible by a four-year grant from the Heritage Lottery Fund (HLF) between 2008 - 2011, closely linked to the establishment of Autograph ABP’s Archive and Research Centre.

Showing as part of Art in Yorkshire Goes Contemporary: a celebration of contemporary art in twenty one public galleries throughout Yorklshire during 2013.

All images © James Barnor/Autograph ABP


James Barnor
was born in Accra, Ghana in 1929 and started his photographic career with a makeshift studio in Jamestown. From the early 1950s he operated 'Ever Young' studio in Accra and worked as a photographer for the Daily Graphic newspaper, as well as Drum, Africa’s foremost lifestyle and politics magazine. He left Ghana for the UK in 1959 and studied photography at Medway College of Art in Kent. He returned to Ghana in 1969 as a representative for Agfa Gevaert to introduce colour processing facilities in Accra. He is currently retired and lives in Brentford, London. Since Autograph ABP's archival intervention in 2010, Barnor's work has been shown internationally at venues including Havard University, Boston; South African National Gallery, Cape Town; Rivington Place, London; Tate Britain, London;  and Paris Photo 2012. His photographs are represented in the collections of the Victoria and Albert Museum, Tate and Government Art Collection in Britain, as well as in numerous international private collections.


Exhibition resources

Click here to download an information sheet about the exhibition (PDF 148KB)


What the papers say

Telegraph and Argus
Art Daily
20 Minutos
Dig Yorkshire
Aesthetica


Listen again

Click here to listen to James Barnor's Artist Talk, recorded at Impressions Gallery on Saturday 10 August 2013 (mp3 36.6mb)

New Focus say

Review by Shaila Hamid

Mike Eghan at Picadilly Circus, 1967 © James Barnor/Autograph ABP

Mike Eghan at Picadilly Circus, 1967 © James Barnor/Autograph ABP

James Barnor

Click on thumbnail below to enlarge

Mike Eghan at Picadilly Circus, 1967 © James Barnor/Autograph ABP Drum cover girl Marie Hallowi, Kent, 1966 © James Barnor/Autograph ABP Eva, London, 1960s © James Barnor/Autograph ABP Drum cover girl Rosemarie Thompson, London, 1967 © James Barnor/Autograph ABP James Barnor with Kwame Nkrumah, Roy 'the Black Flash' and Rebecca Ankrah, Accra, Ghana, 1952 © James Barnor/Autograph ABP Untitled, London 1967 © James Barnor/Autograph ABP Drum cover girl Erlin Ibreck, London, 1966 © James Barnor/Autograph ABP Muhammad Ali training at Earl's Court, London 1966 © James Barnor/Autograph ABP The Blavo siblings, Ever Young Studio, Accra, Ghana, 1957 © James Barnor/Autograph ABP Policewoman No.10 Selina Opong, Ever Young Studio, Accra, Ghana, 1957 © James Barnor/Autograph ABP

Comments

Rapidly becoming a regular - second exhibition in a row that has almost overwhelmed me. Barnor’s exhibition, while beautiful and thought provoking, was served by the background info and books supplied. I will walk away with this little gem

Second visit very interesting and the timeline is very educational.

A life well spent and continuing wonderful photographs.

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