Accessability: Text Size: Larger Smaller Layout: Reduced graphics
About imPRINT
imPRINT is a new series of limited edition original photographs (also referred to as prints) by exhibiting photographers made on occasion of an exhibition or publication at Impressions.
Proceeds from the sales of prints are split equally between the photographer and Impressions Gallery. Impressions Gallery is a not-for-profit organisation and will reinvest any such proceeds back into the Gallery's programme.
imPRINT is exclusive to Impressions Gallery
About the prints themselves
All prints are made by the photographer or overseen by them
All prints are signed and numbered by the photographer either on the reverse of the print (verso) or on the front underneath the image (recto).
All prints are original, i.e. produced from the original negative or digital file on photographic paper. They are not reproductions.
All prints are archival, that is have been produced using processes that guarantee the image for a substantial length of time.
Edition
All prints are produced in a limited edition of 20 with 2 artist proofs. This means that only 20 prints of that particular image, in that particular size, will ever be made.
The 2 artist proofs are not for sale. One remains with the photographer for their archive, and the other remains in Impressions’ archive.
There is no significance or difference in quality between the edition numbers.
Pricing
Sizes of prints may vary according to the work. However, all prints are priced the same, at £250 including vat.
Framing and mounting is not included. At present, we cannot arrange this for clients.
Handling and care
Never touch the surface of the print with your bare hands. The oils in your skin can damage the paper. If you ever need to handle the print, use clean white cotton gloves.
Our prints are stored in Secol, an archival acetate wallet, with backing card that allows the print to be seen and handled easily without gloves
Always hold prints flat with both hands. Holding with one hand can cause the paper to buckle, leaving damage marks (dings) in the surface.
Use archival materials (that is, acid-free) to mount and frame your print to ensure no long-term damage.
Always use a mount to ensure the surface of the print does not come into contact with the glass.
Hang out of direct sunlight or use UV glass or UV film on windows to avoid damage by sunlight. Liza Dracup.jpg)
Limited edition imPRINT
from the series Sharpe's Wood
by Liza Dracup